《大日本人》:一部極具“荒謬感”的英雄影片
In the other day at the 17th Tokyo Film Awards Presentation Ceremony sports, art-artists-the first time I directed (and starred as himself) the film "Japanese" was a "Takeshi Kitano Entertainment Award" and of course, In a presentation at the scene was praised by Takeshi Kitano. The two are "part-time" make a film of the comedy variety show host, the works are widely divergent styles. Takeshi Kitano's movies or cruel or most sensational, probably entered the film industry, on careful to comply with the rules of the game in this area. In contrast, loose-I was very disturbed at a sold a weird movie.
- Listen title, "Japanese" as if Japan is to promote a national spirit of the film, in fact, the film so-called "Japanese" is a shock can quickly become adopted by the Japanese giant - big Sato. However, if the title changed to "the Japanese giant", I am afraid, will be lost in the name of it smacks of self-mockery. Sato was born in a big change for the "Japanese" the ability of the family. The family has been responsible for the drive out to the city in the harassment of all kinds of monsters, also participated in the war, to large Sato this generation is already the sixth "Japanese." But as times change, despite the "Japanese" is still out from time to time, and monster combat, but unlike the past that they have long been respected by the people.
To pseudo-documentary film about the form of a big Sato of life for some time, the camera follows television documentary photography habits, tracking an interview with The Lapo the "heroes of justice." Lens, never appeared in the press with great Sato went to a park, go home, received orders,變身fighting for his life constantly ask questions of the situation. - I-play is obviously the big Sato Bushanyanci, some Zhizhiwuwu to tell all of their lives. These rich content is not even dry "to" occupy two-thirds of the film, at first glance may think that Henmen, and then slowly with flavor.