做英語(yǔ)閱讀 不懂,請(qǐng)指教
Yet this most fundamental standard of historical periodization conceals a host of paradoxes.
Nearly every movie theater,however modest,had a piano or organ to provide musical
accompaniment to silent pictures.In many instances,spectators in the era before recorded sound
experienced elaborate aural presentations alongside movies' visual images,from the Japanese
benshi (narrators) crafting multivoiced dialogue narratives to original musical compositions
performed by symphony-size orchestras in Europe and the United States.In Berlin,for the
premiere performance outside the Soviet Union of The Battleship Potemkin,film director Sergei
Eisenstein worked with Austrian composer Edmund Meisel (1874-1930) on a musical score
matching sound to image; the Berlin screenings with live music helped to bring the film its wide
international fame.
5.Paragraph 2 suggests which of the following about Eisenstein’s film The Battleship
Potemkirf?
○ The film was not accompanied by sound before its Berlin screening.
○ The film was unpopular in the Soviet Union before it was screened in Berlin.
○ Eisenstein’s film was the first instance of collaboration between a director and a composer.
○ Eisenstein believed that the musical score in a film was as important as dialogue.
答案是第一個(gè) ,但是 我看不出來(lái)
請(qǐng)指教 是文中哪個(gè)地方 為什么?
順便問(wèn)一句
for the
premiere performance outside the Soviet Union of The Battleship Potemkin,
尤其是 outside 在這里 做什么成分 修飾什么
這句話(huà)結(jié)構(gòu)是什么樣的?