電影評論家“凱特和天地”是一個荒謬的浪漫時光旅行第三個公爵離開紐約奧爾巴尼到1876年和年在紐約的梅格·瑞安的事.嗯,當(dāng)然這是荒謬的:時間旅行涉及到這么多的似是而非的說法,這是明智的,在浪漫喜劇這樣,簡單地忽略他們.這部電影其實(shí)并不是關(guān)于時間旅行吧,但是英國禮儀與藝術(shù)化.美國slobbiness.書中女主人翁喜歡其中的浪漫愛情小說讀她的最好的朋友,我們的加梅格得到一個有錢人的芳心名叫英語主.
瑞恩起凱特,市場研究工作的人,負(fù)責(zé)促進(jìn)產(chǎn)品的不確定的值.她約會斯圖爾特(Liev Schreiber),一個half-loony發(fā)明者誰發(fā)現(xiàn)一個開放在矩陣的時候,一跳的布魯克林大橋,發(fā)現(xiàn)自己在1876——并返回用他自己的祖父,天地,公爵的奧爾巴尼(休·杰克曼).
這是不可避免的,凱特會克服她的溫愛斯圖亞特和愛上這個浮華的英國人(盡管她第一次見他在軍事上的服裝,她認(rèn)為他的穿著像胡椒).梅格·瑞安做這類的事以及有可能做,“西雅圖夜未眠”和“有你的信,“這是另一個巧妙的情節(jié),捉弄我們可能會失敗的那份真愛,而眨眼,當(dāng)然,它將獲得勝利.
“凱特和天地”智慧并不依賴力學(xué)的發(fā)展為其幽默浪漫.相反,它利用其fish-out-of-water陰謀顯示作為一個適當(dāng)?shù)奶斓?乖的英國貴族,驚訝于他所發(fā)現(xiàn),在現(xiàn)代曼哈頓.與其說他擊中的交通和摩天大樓的禮儀.遛狗,他問了一個警察如果他打算挖人害怕的是蛇的糞便,將自己向他充滿高度intone:“你是在暗示說,夫人,存在一條法律強(qiáng)迫紳士們要拉住狗大便嗎?”天地都和他的后裔,斯圖爾特,發(fā)明家類型.天地,我們學(xué)習(xí)、設(shè)計和發(fā)明的布魯克林大橋電梯.斯圖爾特不僅發(fā)現(xiàn)了門戶,但有足夠的信心在他的計算中跳下橋去,并相信一切將會向他敞開.在1876年的河中為什么他降落在他腳上而不是降至他的死亡上,是一個電影忽略的問題.
英語翻譯
英語翻譯
FILM CRITIC "Kate & Leopold" is a preposterous time-travel romance in which the third Duke of Albany leaves the New York of 1876 and arrives in the New York of Meg Ryan.Well,of course it's preposterous:Time travel involves so many paradoxes that it is wise,in a romantic comedy like this,to simply ignore them.The movie is not really about time travel anyway,but about elegant British manners vs.American slobbiness.Like the heroine of one of those romance novels her best friend reads,our gal Meg is swept off her feet by a wealthy and titled English lord.
Ryan plays Kate,who works in market research and is responsible for promoting products of dubious value.She's dating Stuart (Liev Schreiber),a half-loony inventor who discovers an opening in the matrix of time,jumps off the Brooklyn Bridge,finds himself in 1876--and returns with his own great-great-grandfather,Leopold,duke of Albany (Hugh Jackman).
It is inevitable that Kate will overcome her lukewarm affection for Stuart and fall in love with the dashing Englishman (even though the first time she sees him in military costume,she thinks he's dressed as Sgt.Pepper).Meg Ryan does this sort of thing about as well as it can possibly be done,and after "Sleepless in Seattle" and "You've Got Mail," here is another ingenious plot that teases us with the possibility that true love will fail,while winking that,of course,it will prevail.
"Kate & Leopold" wisely does not depend on the mechanics of the developing romance for its humor.Instead,it uses its fish-out-of-water plot to show Leopold as a proper,well-behaved English aristocrat,astonished by what he finds in modern Manhattan.He's struck not so much by the traffic and the skyscrapers as by the manners.Walking a dog,he's asked by a cop if he plans to scoop the poop,and draws himself to his full height to intone:"Are you suggesting,madam,there exists a law compelling gentlemen to lay hold of canine bowel movements?" Both Leopold and his descendant,Stuart,are inventor types.Leopold,we learn,designed the Brooklyn Bridge and invented the elevator.Stuart not only discovered the portal in time,but had enough confidence in his calculations to jump off the bridge and trust that it would open for him.Why he lands on his feet instead of falling to his death in the 1876 river is a question the movie prudently ignores.
FILM CRITIC "Kate & Leopold" is a preposterous time-travel romance in which the third Duke of Albany leaves the New York of 1876 and arrives in the New York of Meg Ryan.Well,of course it's preposterous:Time travel involves so many paradoxes that it is wise,in a romantic comedy like this,to simply ignore them.The movie is not really about time travel anyway,but about elegant British manners vs.American slobbiness.Like the heroine of one of those romance novels her best friend reads,our gal Meg is swept off her feet by a wealthy and titled English lord.
Ryan plays Kate,who works in market research and is responsible for promoting products of dubious value.She's dating Stuart (Liev Schreiber),a half-loony inventor who discovers an opening in the matrix of time,jumps off the Brooklyn Bridge,finds himself in 1876--and returns with his own great-great-grandfather,Leopold,duke of Albany (Hugh Jackman).
It is inevitable that Kate will overcome her lukewarm affection for Stuart and fall in love with the dashing Englishman (even though the first time she sees him in military costume,she thinks he's dressed as Sgt.Pepper).Meg Ryan does this sort of thing about as well as it can possibly be done,and after "Sleepless in Seattle" and "You've Got Mail," here is another ingenious plot that teases us with the possibility that true love will fail,while winking that,of course,it will prevail.
"Kate & Leopold" wisely does not depend on the mechanics of the developing romance for its humor.Instead,it uses its fish-out-of-water plot to show Leopold as a proper,well-behaved English aristocrat,astonished by what he finds in modern Manhattan.He's struck not so much by the traffic and the skyscrapers as by the manners.Walking a dog,he's asked by a cop if he plans to scoop the poop,and draws himself to his full height to intone:"Are you suggesting,madam,there exists a law compelling gentlemen to lay hold of canine bowel movements?" Both Leopold and his descendant,Stuart,are inventor types.Leopold,we learn,designed the Brooklyn Bridge and invented the elevator.Stuart not only discovered the portal in time,but had enough confidence in his calculations to jump off the bridge and trust that it would open for him.Why he lands on his feet instead of falling to his death in the 1876 river is a question the movie prudently ignores.
英語人氣:714 ℃時間:2020-05-27 19:24:49
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