我感到當(dāng)今的設(shè)計(jì)應(yīng)當(dāng)反映本質(zhì).如果你對(duì)一個(gè)日式設(shè)計(jì)的熱情只局限于其表面膚淺的元素,那么它通常變成一個(gè)怪異的設(shè)計(jì).但如果你對(duì)其制造的根本和這個(gè)東西是怎么誕生的有更深入的了解,那么它將給你一個(gè)不同的畫(huà)面.我認(rèn)為日本的這些流行于現(xiàn)代的東西會(huì)被創(chuàng)造的更加自然.
我想按這種思路做一些讓每個(gè)人都能參與的東西,包括制造者和使用者,每個(gè)人都將開(kāi)心.對(duì)每件東西的歷史,技能,手工藝和工具都存在著根本的展示,但本質(zhì)來(lái)說(shuō)并不是很容易可以感覺(jué)到的.如果你想一下全球環(huán)境,在當(dāng)今的時(shí)代,不必要的東西根本不應(yīng)該被制造出來(lái).這就是作為一個(gè)創(chuàng)造者,我想傳達(dá)的信息,但同時(shí)要珍惜過(guò)程.通過(guò)感覺(jué)這些,我認(rèn)為珍視事物的感覺(jué)會(huì)同樣傳遞給使用者.但這也并不意味著制作東西的背景變成唯一至關(guān)重要的因素.再者,外觀的影響很重要,一件不吸引人的東西,人們甚至都不會(huì)拿起來(lái).因?yàn)槲覀兩钤谝粋€(gè)有很多產(chǎn)品的時(shí)代,我想做一些東西能讓人們?cè)敢獗A羲阉鼈鞯綄?lái).
英語(yǔ)翻譯
英語(yǔ)翻譯
I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of the roots of manufacturing and the backgrounds of how that item came to be born,then it should give you a different picture.I think Japanese items that fit into these modern times will then be created more naturally.
I want to make things in such a way that everyone involved in the item,including the people making it and the people using it,will all be happy.There is an underlying presence of history,skills,craftsmanship,and tools for everything,but it’s naturally quite difficult to sense such things.And if you think about the global environment,now is an era where unnecessary things shouldn’t be produced at all.That’s why as a creator I want to convey such messages,while cherishing the process at the same time.And by sensing such things,I think the feeling of treasuring something will come to the user too.But that doesn’t mean that the background of making things is the sole paramount factor either.After all,the impact of the appearance is crucial,as it won’t even be picked up if it can’t attract people’s attention.Because we live in an era with a lot of products,I want to make things that would make people want to pass it down to others in the future.
I feel that today’s design is expected to provide substance.If you become too conscious of the superficial elements in your pursuit for a Japanese design,then it often becomes an awkward design.But if you have a better understanding of the roots of manufacturing and the backgrounds of how that item came to be born,then it should give you a different picture.I think Japanese items that fit into these modern times will then be created more naturally.
I want to make things in such a way that everyone involved in the item,including the people making it and the people using it,will all be happy.There is an underlying presence of history,skills,craftsmanship,and tools for everything,but it’s naturally quite difficult to sense such things.And if you think about the global environment,now is an era where unnecessary things shouldn’t be produced at all.That’s why as a creator I want to convey such messages,while cherishing the process at the same time.And by sensing such things,I think the feeling of treasuring something will come to the user too.But that doesn’t mean that the background of making things is the sole paramount factor either.After all,the impact of the appearance is crucial,as it won’t even be picked up if it can’t attract people’s attention.Because we live in an era with a lot of products,I want to make things that would make people want to pass it down to others in the future.
英語(yǔ)人氣:241 ℃時(shí)間:2020-05-10 17:03:16
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